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Gareth Sansom (born 1939 in Melbourne, Australia) is an Australian artist, painter, printmaker and collagist and winner of the 2008 John McCaughey Memorial Prize of $100,000. Best known for introducing new themes and subject-matter into Australian art and being one of the first Australian artists to be influenced by Pop art, particularly British Pop artists like Peter Blake, Allen Jones, Derek Boshier, Joe Tilson〔http://www.artcyclopedia.com/artists/tilson_joe.html〕 and the formal strategies of the post-modernist R. B. Kitaj. Another major Influence was and remains the British painter Francis Bacon. He was an associate of Brett Whiteley and there was a likely mutual influence. Sansom has had a distinct influence on subsequent Australian art, paving the way for later notable artists such as Juan Davila and Howard Arkley. His work is represented by the National Gallery of Australia, the National Gallery of Victoria, the Art Gallery of New South Wales, the Metropolitan Museum of Art, New York and the Mertz Collection. His paintings are eclectic, studded with allusions both historical, cultural and personal. There is something almost diaristic about his work, but its presentation is anything but linear and logical. Abiding themes are mortality, ageing, sexual identity, popular and youth culture and cinema. There is also a strong element of humour, iconoclasm and irony in his work, from their titles, such as "Art Can't Fart (for Rose Selavay)", "Four Wise Men Looking for God in Abstract Art", "Dr Fu Manchu's Death by Gyro" or "Ship of Fools (Hello sailor!)" to comic and grotesque figurative elements and their sometimes lurid but highly resolved colour schemes. On a technical level his paintings combine oils, enamels (both sprayed and applied with brush) and collaged elements from personal photographs to objects stuck on or painted over. Stylistically Sansom uses a wide array of painting techniques but signature devices include allowing earlier layers of paint to remain visible, hard-edge geometric shapes juxtaposed with playful, lyrical, more organic or atmospheric passages of paint and figurative "doodles", often at the margins of the paintings. ==Early career== Sansom studied at the Royal Melbourne Institute of Technology, (now RMIT University), from 1959 to 1964. He held his first solo exhibition in 1959 at Richman Gallery in Melbourne. He asked Arthur Boyd to open the exhibition and Boyd agreed. Boyd also purchased a painting from the show. After his studies at RMIT, two exhibitions were at South Yarra Gallery, in 1965 (from which the National Gallery of Victoria purchased the work, 'He Sees Himself'), and Gallery A, in 1966 (from which The National Collection - now Australian National Gallery - purchased the work 'Leaving that well known void'). In 1968 he painted 'The Great Democracy,〔http://cs.nga.gov.au/Detail-LRG.cfm?IRN=1669〕 where his influences can be readily discerned. (This painting is now in the collection of the Australian National Gallery, Canberra). During the 1970s, Sansom began to experiment with self-portrait photographs involving images of himself dressed as a woman. In particular Sansom developed a series of photographs in which he portrayed Hollywood film noir icons such as Barbara Stanwyck and Joan Crawford. Two series of works on cardboard using these photographs as collaged items within graphic media and paint were shown at Warehouse Gallery, Melbourne, in 1975 and 1977. In 1978, RMIT Gallery presented a major survey of Sansom’s paintings and graphic works covering the period 1964-1978. Sansom was head of painting at the VCA School of Art, prior to becoming Dean in 1986. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Gareth Sansom」の詳細全文を読む スポンサード リンク
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